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Roughrider

by Mint Mile

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1.
Sunbreaking 04:16
It’s a foreign language Like you, I move fast Speeding boat wired hard left Spinning in the middle of it Spinning in the middle I know how it goes Clean as the breaking sun We only come in waves They never last long So peel one off if you know what you really want What you’d be so brave to take up On your own time, slow Clean as the breaking sun Rolls in at a good clip We know it is bound to be painful But we still want to soak it up every day Sun breaks over the hill As if to reward us But you know we’re all gonna die someday When our heads finally split in two When our hearts can’t blow out our veins Or we just don’t move anymore We barely move anymore You still move me And you will ‘til you don’t or you won’t I don’t know Sun breaks over the hill Cleanly breaking sun
2.
Brigadier 07:39
Once there was only war Came and left with us Never wanted to be any kind of other thing You were my only love Though we had our fun It only served to shred my conscience Brigands and brigadiers Can’t overcome the life we made When everything I am just ran it down Get it on (with limitations) Head into the armory We walk like we stand And we stand together As we do everything we needed to be done with long ago The only leaders we cross Absent nights picked up on a radio In a foxhole with a crackling deck No lock, no key, no door It keeps up a mutter Like we’ll be right back It murmurs softly over Like we’ll be right back More of the same
3.
Interpretive overlook Ninepipes Can’t paint from memory You gotta see it So I’ll pose to get what I want To be to what you want me to be I bend easily A reed beneath light pressure Lovely day Misty rain but sun I lift my leg a little more Somehow you see a dinosaur We all want a point of view to call our own I have a prospective perspective to show you But it needs something new This place so old
4.
Halocline 05:20
Said the birch bark to the branch Keep yourself within my grasp Everybody else can see that you’re addicted Detachment comes later on Go bare beneath your fluttering tongue Lighter in the breeze We’re right on time Something no one else can feel No need to explain it Fresh into that salt I don’t dream a lot Except about having more Of what I already got Or what I had before Pouring right out of me Lightning through a cloud of bees River into an ocean I don’t mind that
5.
Empty Island 04:12
I got a lot It’s deep and it’s hot Walled it all off Kept it closed up tight We can make it Reverse vampires Who can only be awake In the cold daylight Who knew that the likes of me Hung up on you Could feel this brand new Let’s get blown up like a rock That a mower broke apart And shot across a lawn Oh you hit a vein Heavy and full I knew I could never hope to find One like that all on my own Let’s live on a farm Or an empty island Where I can finally fall asleep Without any interruption It’s not forever It’s just beginning Is this forever It’s just beginning
6.
Roughrider 02:39
Walk into the front room Like it was the back Nothin’ but a smile Takes me to your house Forever on the carpet Never on the couch Got your fingers on the knob Of an integrated amp I still have my moments If fewer and farther between You have your own as well But the things we never did And the stories we can’t tell Still piling up the memories The feelings the weight Roughrider Where’d you go We’re all alone Like a bird in the nest Traveling to nearest rest Float around Make your way through the wind
7.
S c ent 06:48
It’s a very short trip from here to The crook of a neck The shape of one’s speech Crack in a smile With a snag in the teeth Crease on a face Where a freckle could be When a lip gets chapped When a tongue runs dry And desire gets crisp It’s so easy to come by There’s blood under this bridge A scent to everything we’ve ever done Falling in a booth or the back of a car As the mind works on nothing With a vengeance Waiting open is: A catalog of repeated movement A drumbeat that destroys all sense A drumbeat that compounds all scent A ghost fed by what we misinterpret How did you know Maybe you were sent But if so by whom How did you know
8.
I hope it’s different The way you wanted it to be The path you’ve worn is gone at last I hope it’s different And not a disfigurement Something bubbling From the shadows as you pass The things we think when we’re on the brink Say nothing of how tough things can be We all know where we go when we roll away I hope it’s different Not just another good time Insulated by uncomfortable lies I hope it’s different You’re substantially free You have dropped from the nest Now you’re tumbling through the tree

about

"Musically, sonically, tonally, Mint Mile is the complete picture - as distinct a band as you’ll find anywhere.” - John Darnielle, The Mountain Goats

"The whole album and band — really, we should be more generous and call them a collective — is a thing of beauty. Once again, Mint Mile has delivered music with weathered emotional complexity that retains an open-ended sense of optimism that, maybe from now on, the ride won’t be so rough." - Dusted

Mint Mile – the “new” band from Silkworm / Bottomless Pit’s Tim Midyett – is nearing a decade of existence. With Jeff Panall (Songs: Ohia), Justin Brown (Palliard), Matthew Barnhart (Tre Orsi) and a cast of fellow travelers, the group has to its credit a trio of EPs, the acclaimed double album Ambertron (which improbably owned its otherwise-ill-timed March 20th, 2020 release date) and now...Roughrider, the band’s second full-length.

Roughrider pulls from all the rest stops Mint Mile have traversed to get here. “Sunbreaking” opens the album with a timeless chord progression, hidden melodies sketched throughout the margins.

“Interpretive Overlook” is shockingly bare, dwelling on perspective and differing vantage points, with its final line (“This place so old...it needs something new”) both certain and open-ended. Songs like “Halocline” have become the heart of Mint Mile – Crazy Horse-fluent pieces that let Brown’s pedal steel do heavy lifting until the finale, where every instrument pours in all it can. The kinetic energy the band brings – aided by excellent alto saxophone (hold onto that thought for a second) – indicates that the group is far from out of new ways to immerse themselves in this world.

“Empty Island” is perhaps the band’s finest moment as “rockers,” and the record’s second track, the seven-minute “Brigadier,” loses itself completely in its main metaphor, unmooring Roughrider from any convenient frame of reference almost immediately.

Contributions from cellist Alison Chesley and Corvair’s Heather Larimer, both long in Midyett’s orbit, are welcome, although nothing prepares one for hearing Nina Nastasia – whom Silkworm covered on an EP over twenty years ago – sing Roughrider’s aching closing track. Nastasia gets some of the album’s darkest lyrics, and “I Hope It’s Different” sounds as beautiful as its last stanza (“Scrub off your history / Don’t learn / Don’t remember anything”) is uncomfortable.

That saxophone on “Halocline?” It is provided by founding Silkworm guitarist and vocalist Joel R.L. Phelps, a truly momentous occasion for those of us who still listen to In the West regularly. His contributions are a fascinating coda to “Halocline,” and on “S c ent” he is possibly the backbone of the entire song.

Change and “the new” hover all over Roughrider’s lyrics and subjects, from the peaking sunrise in the opening track to Nastasia’s fervent hope echoed by the title of the album’s closing number. In that sense, it’s not surprising that the song that most prominently features Phelps is the one that sounds the least like anything he or Midyett have ever done, together or separately.

Every trip through Roughrider is its own look, a new perspective on constant themes, with fresh elements coming to the fore. – Rosy Overdrive

credits

released February 23, 2024

In order of appearance:

Jeff Panall - drums
Matthew Barnhart - bass
Tim Midyett - guitars, baritone, other stuff, vox
Justin Brown - pedal steel, electric guitar
Howard Draper - piano, organ, lap steel
Susan Voelz - violin
Alison Chesley - cello
Greg Norman - trumpet, trombone
Joel RL Phelps - alto sax
Heather Larimer - vocal on Empty Island
Nina Nastasia - vocal on I Hope It’s Different

Recorded, mixed, and mastered by Barney and Tim
at Electrical Audio, Chicago Mastering Service,
and Cinquantacinque, Chicago
Elements recorded by JB, JRLP, and Brian Naubert at home

String arrangement on I Hope It’s Different by Susan Voelz
All other string arrangements by Susan Voelz and Alison Chesley
Horn arrangements by Greg Norman not the golfer
Reed arrangements by the Joel RL Phelps of Vancouver BC Canada

Art - Maggy Hiltner
Calligraphy - Julian Wong
Layout - David Babbitt/TM

© 2023 and I love you all so very very much xoxoxoxoxxxooo

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Mint Mile Chicago, Illinois

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